Latin America. Blackmagic Design announced today that its products, including various models of digital film cameras and the DaVinci Resolve Studio program, have been used in more than 50 projects participating in this year's Sundance Film Festival.
"The Killing of Two Lovers" was edited and edited with DaVinci Resolve Studio. Director Robert Machoian commented: "I opted for the show, as it was the first time I used it to edit, and I wanted to test the dynamics of the work to see if it could help me. I must say that I am glad I did. The editing process was extremely organized, and there were no inconveniences when delivering the project to the colorist. From now on, I will use DaVinci Resolve Studio for post-production."
Projects carried out with Cameras and Equipment from Blackmagic Design:
- The Earth Is Blue as an Orange: Cinematographer Viacheslav Tsvietkov used a Blackmagic Production Camera 4K unit.
The Crybaby: DaVinci Resolve Studio was used to create copycats and conversion tables (LUTs) on set. Likewise, a 4K Video Assist monitor was used for the purpose of monitoring the quality of the images and reproducing them as a reference.
Nine Days: Cinematographer Wyatt Garfield used a Blackmagic Pocket Cinema Camera unit for specific shots, as well as an UltraStudio Express capture and playback device.
The Painter and the Thief: Director Benjamin Ree used a Pocket Cinema Camera unit.
Possessor: Cinematographer Karim Hussain used a Pocket Cinema Camera unit to play content on set.
Projects carried out with DaVinci Resolve and DaVinci Resolve Studio:
- The 40-Year-Old Version: Nat Jencks (Goldcrest Post) made the film's color grading.
Amulet: Max Horton did the color grading of the film in Film Shed.
We only have to dance: Alexandra Pocquet made the color grading of the film.
The Assistant: Sofie Friis (Company 3) performed the film's color grading.
Beast Beast: Sean Wells performed the film's color grading at Roast n' Post.
Black Bear: Kath Raisch (Company 3) performed the color grading of the film.
Charm City Kings: Sam Daley (Deluxe) performed the color grading of the film.
Charter: Dylan R. Hopkin (Nordisk Film ShortCut Oslo) colored the film with a DaVinci Resolve Advanced Panel device.
The Cost of Silence: Brian Hutchings performed in color grading of the film in Different by Design.
Cuties: Charles Freville performed the color grading of the film.
Disclosure: Trans Lives on Screen: Luke Cahill performed the film's color grading at The Garrison.
The Dissident: Luke Cahill performed the film's color grading in Different By Design.
Dream Horse: Rob Pizzey (Goldcrest Post) made the color grading of the film with a DaVinci Resolve Advanced Panel device.
Ema: Luis Quevedo made the color grading of the film in Atómica (Chile).
Epicenter: Jimmi Kurt Hennrich (1z1screenworks) performed the color grading of the film.
The Evening Hour: Joe Gawler (HARBOR) performed the film's color grading. In turn, visual effects specialist Alex Noble (Wild Union Post) also used DaVinci Resolve Studio to carry out preparatory and stabilization tasks.
Exil: Colorist Nazzareno Neri and cinematographer Matteo Cocco colored the film with a DaVinci Resolve Mini Panel device.
Giving Voice: Luke Cahill performed the film's color grading at Pilgrim Media Group.
The Go-Go's: Joanne Rourke (Deluxe Toronto) performed the color grading of the film.
Hey Lady!: Ryan Ruskay colored the film with a DaVinci Resolve Mini Panel device.
Jumbo: Lionel Kopp did the color grading of the film.
The Killing of Two Lovers: Drew Tekulve made the color grading of the film, while the editing was in charge of Robert Machoian.
The Black Legend: Marco Amaral (The Yellow Color) performed the color grading of the film.
LANCE: Luke Cahill did the color grading of the film in Different By Design.
Leap of Faith: William Friedkin on the Exorcist: Dave Krahling (Milkhaus, LLC) performed the color grading of the film.
Love Fraud: Visual effects specialist Alex Noble (Wild Union Post) used DaVinci Resolve Studio to perform preparatory and stabilization tasks.
Minari: Dave Cole (FotoKem) did the color grading of the film.
Nine Days: Nat Jencks (Goldcrest Post) did the color grading of the film.
The Nowhere Inn: Frederik Bokkenheuser performed the color grading of the film.
The Perfect Candidate: Fabiana Cardalda performed the color grading of the film with a DaVinci Resolve Advanced Panel device.
Possessor: Jim Fleming did the color grading of the film.
Rebuilding Paradise: Joe Gawler (HARBOR) performed the color grading of the film.
Relic: CJ Dobson (CSI) performed the color grading of the film.
Save Yourselves!: Nat Jencks (Goldcrest Post) made the film's color grading.
Scare Me: Jaime O'Bradovich (Company 3) enhanced the film's color grading, while editor Editor Patrick Lawrence also employed DaVinci Resolve Studio for copycats, transcoding, and high-resolution editing.
Shirley: Nat Jencks (Goldcrest Post) did the color grading of the film.
Softie: Hamed Aleali and Samantha Neboschizkij (EyeSteelFilm) performed the color grading of the film.
Spaceship Earth: Brian Boyd did the color grading of the film.
The Starr Sisters: Editor Patrick Lawrence employed DaVinci Resolve Studio for copying, transcoding, and high-resolution editing.
Surge: Simone Grattarola (Time Based Arts) made the color grading of the film with a DaVinci Resolve Advanced Panel device.
Sylvie's Love: Roman Hankewycz and colorist supervisor Joe Gawler (HARBOR) performed the color grading of the film.
Tesla: Svetoslav Mateev (Nu Boyana Film Studios) made the color grading of the film with a DaVinci Resolve Advanced Panel device.
This Is Not a Burial, It's a Resurrection: Nic Apostoli (Comfort and Fame Studios) colored the film, while Lemohang Jeremiah Mosese edited.
The Trade: Seth Ricart (RCO) performed the color grading of the film.
The Truffle Hunters: Marcy Robinson (Goldcrest Post) made the film's color grading.
Us Kids: Seth Ricart (RCO) performed the film's color grading.
Alive: Dirk Meier did the color grading of the film.
Whirlybird: Luke Cahill performed the color grading of the film in Different By Design.
Worth: Sam Daley (Deluxe) did the color grading of the film.
Yalda, a Night for Forgiveness: A film by Massoud Bakhshi with Julian Atanassov as cinematographer. Moritz Peters performed the color grading at Basis Berlin Postproduktion.
Luxor: Zeina Durra film by Elie Akoka (United Post Production).
