Adobe Systems Incorporated Announced and started distributing a new version of its software Adobe Audition for mixing, editing, mastering, and restoring audio digital. Adobe Audition 2.0 includes a new mixing engine low latency, the ability to record parameter changes in real time and new innovative tools for the audio display and frequency space editing. Adobe Audition 2.0 is available as a product standalone or as part of Adobe Production Studio edition Premium.
Recording and
mixing with precision and flexibility
Audio engineers now have an audio response
snapshot while mixing with the low-latency motor
completely redesigned by Adobe Audition 2.0, which supports
ASIO controllers, flexible routing, punch-ins, unlimited tracks
and so on. For high levels of mixing power, the pros
Audio can monitor audio input to Adobe Audition
2.0 by signal string and recording parameter changes
in real time. These fast and accurate tools are
seamlessly integrated into the Multi-track View, which supports a number
unlimited tracks and can record up to 80 simultaneous live inputs.
Quick creation and fixes
and easy
The new user interface of Adobe Audition 2.0 software makes
even easier to create and arrange studio-quality music.
Editors can dock and group space panels from
work quickly and preview the fixes of the
panel saved as custom workspaces that can
recover easily. Professionals in television and video
can save time with music series included free of
royalties and thousands of 32 uncompressed music sequences
Bit. Other new features like Adobe Bridge for the
convenient file access and management, support for
Adobe XMP (Extensible Metadata Platform) for integrating metadata
in files, and wider support of video formats and
Audio helps raise productivity and enable a
more creative experimentation.
Editing and mastering
Audio engineers have a full set of tools
editing, mastering, and restoring in Adobe Audition 2.0
that offer power and control to produce clear sound. The
stereo wave editing capabilities combined with the only
Spectral Pan and Spectral Phase displays allow
editors make edits and restore audio with maximum precision.
Two audible brand modes allow publishers to find
cut-off points with your ears instead of your eyes. The
Unique loop tool allows editors to make
any form of frequency and time selection to isolate
and visually restore material with imperfections. The new one
Mastering Rack lets you preview multiple effects
simultaneously, and the new multi-belt compressor helps
to add more clarity and definition to blends.
