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Coloring in digital intermediate

We spoke with Marcus Schioler, product marketing manager for Autodesk's Media & Entertainment division, who told us about trends in the digital middle market (DI), and his Lustre product.

If you have the largest company in digital intermediary in the world (and, of course, its headquarters) main is in Hollywood), you can give yourself some luxuries. It's him case of Efilm, a company that serves television and film markets and has just signed an agreement with Autodesk through which it is last will provide a special configuration of Lustre e Incinerator, which will be baptized as Eworks. Bob Eicholz, Vice President of Technology and Corporate Development at Efilm, stated that the integration of your company's own software With autodesk's solution, you'll create the best DI solution than the industry to offer specialized and improved services to its customers all over the world.

Efilm is the largest laboratory of DI and in its facilities more than 150 films have been finished with Lustre technology, such as Children of Men and Apocalytpo. The ID process includes digitization of celluloid and color manipulation, lighting and shadows to create a specific look and tone that help reinforce the plot of the film.

The Incinerator, from Autodesk, allows Lustre systems to significantly improve the interactivity when using the latest advances in CPU technology multicore, in Infiniband network technology and acceleration GPU. The Configuration of Lustre with Incinerator is ideal for real-time colonization systems, commercials and films in high resolution.

The Incinerator 2007 was announced a few days before the last NAB, where beta testers declared their satisfaction: Almost all commercials who we do now pass by Lustre declared Jonas Drehn, of the Danish post house Ducking Post. This allows us to work faster when we have to make changes. Sometimes after making a digital colonization throughout the spot, the customer wants something different. For example, the customer decides that everything looks too dark. With Lustre, I can satisfy the client by selecting a group of scenes and making the change in all at the same time. With the additional speed of the Incinerator, Lustre is a powerful and creative tool.

- Publicidad -

The Incinerator 2007 offers the following new features:

  • Supports video streams to through capture, render and play out of interlaced SD or HD recordings and supports drop frame in timecode.
  • Has 10 HD-SDI output bits from nVidia graphics card for preview of high quality.
  • Offers coloring mode split screen, dual-head. This wants say that an expanded group of tools of colorization can be displayed in the user interface, while previewing the decisions of colorization on the reference monitor.
  • Interconnectivity with Smoke systems (for editing and completion), and Flame (for visual effects), allows you to work in colorization of Lustre source files at the same time as these they end in Smoke or Flame. They can also be generated proxies in Lustre from Smoke files or Flame. Time is saved by rendering colorization directly in Stone storage, autodesk, for immediate use on Smoke systems or Flame.

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