Latin America. Blackmagic Design announced today that several of its products were used in the production and post-production of various films released during the current summer season.
For example, different models of digital cameras and the DaVinci Resolve Studio program, which allows you to edit and scan images or create visual effects, among other possibilities. Blockbusters include titles such as "The Green Knight," "Jungle Cruise," "Spiral" and "Cruella."
Blackmagic Design's products have been used in virtually every stage of the production and post-production of various international films released this summer around the world. DaVinci Resolve continues to be the show of choice for leading publishers, colorists, and post-production studios, and was employed by Jaimie O'Bradovich (Company 3) on "Werewolves Within," Alex Noble (Wild Union Post) on "Holler" and Joe Gawler (HARBOR) on "After Yang."
The latter highlighted the flexibility offered by the nodal structure of the application. "By employing nodes after doing the main work, the filmmakers and I were able to quickly test several more stylized palettes while also improving continuity in each scene."
Blackmagic Design cameras were used in various feature films and scenes. Likewise, several matrices, monitors, capture and playback devices, Mini Converter units and the DaVinci Resolve program were used to facilitate the production of films of different genres, such as "Viejos" (or "Tiempo" in Spain) and "Candyman".
Mentioned below are the feature films in which Blackmagic Design products were used:
Candyman: Digital imaging technician James Notari employed UltraStudio 4K recorders, Smart VideoHub 12x12 arrays, and SmartView Duo monitors for production.
CODA: Digital imaging technician Leonard A. Mazzone used Smart Videohub 16x16 arrays and UltraStudio 4K devices for production.
Down with the King: Cinematographer Daniel Vecchione and director Diego Ongaro used two Pocket Cinema Camera 6K units and two 12G HDR Video Assist devices on set.
Don't Breathe 2: Cinematographer Pedro Luque used the Pocket Cinema Camera model to capture specific angles, while digital imaging technician Veljko Vukasovic turned to the DaVinci Resolve Studio program and UltraStudio 4K Extreme, Mini Monitor and Mini Recorder devices during production.
Free Guy: Taking control: Digital imaging technician Daniel A. Hernandez employed DaVinci Resolve Studio and UltraStudio capture and playback devices for production.
False Positive: Visual effects supervisor John Bair (Phosphene) used the Pocket Cinema Camera 6K model and DaVinci Resolve Studio to capture various elements and background images, while Alex Noble (Wild Union Post) used this program as part of his work dynamics to create special effects.
Fast and Furious 9 (Spain): Digital imaging technician Joe Steel employed UltraStudio Mini capture and playback devices, Smart Videohub arrays, and the DaVinci Resolve Studio program during production.
Jungle Cruise: Digital imaging technician Jason Bauer used Smart Videohub 20x20 arrays, Decklink Duo cards, various Micro Converters devices, and the DaVinci Resolve Studio program during production.
Viejos (Latin America) / Tiempo (Spain): Editor Brett M. Reed used an UltraStudio 4K Mini device.
Blood Issue: Digital imaging technician Daniel A. Hernandez used DaVinci Resolve Studio and UltraStudio devices for production.
The Killing of Two Lovers: Cinematographer Óscar Ignacio Jiménez used DaVinci Resolve Studio to review the copycats during production.
The Water Man: Digital imaging technician Sean Rawls employed Smart Videohub 20x20, Multiview 4 HD, Decklink 4K Pro, Decklink HD Extreme 3D, Blackmagic Video Assist 7" 3G, UltraStudio HD Mini, UltraStudio Recorder 3G and the DaVinci Resolve Studio program during production.
Werewolves Within: Digital imaging technician Brandon Kelley used the DaVinci Resolve Studio program and UltaStudio Mini Monitor, UltraStudio Mini Recorder and Teranex devices.
Relentless Justice (Latin America) / Awaken the Fury (Spain): Digital imaging technician Daniele Colombera used different capture and playback devices from Blackmagic Design, as well as mini Converter, Mini Monitor, SmartScope Duo, Smart Videhub and the DaVinci Resolve program during production.
Editing and grading with DaVinci Resolve Studio:
All the Streets Are Silent: Grounded by Samuel Gursky in Irving Harvey.
After Yang: Grounded by Joe Gawler in HARBOR.
Black Widow (Hispanoamérica) / Viuda negra (Spain): Etalonada by Jill Bogdanowicz in Company 3.
Cruella: Grounded by Tom Poole in Company 3.
Down with the King: Etalonada by Alex Berman in Goldcrest Post.
Riding to Glory: Grounded by Rob Pizzey at Goldcrest Post Production.
The Green Knight: Grounded by Alastor Arnold in FotoKem.
In the Earth: Groundwork by Rob Pizzey at Goldcrest Post Production.
Spiral: Grounded by Joanne Rourke in Company 3.
Blood Issue: Grounded by Tom Poole in Company 3.
The Killing of Two Lovers: Groundwork by Drew Tekulve and edited by Robert Machoian at 433 Pictures.
The Protégé: Etalonada by Vanessa Taylor at Nu Boyana Studios, London.
Duro de caring (Hispanoamérica) / El otro guardacorpdas (Spain): Etalonada by Vanessa Taylor at Nu Boyana Studios, London.
Werewolves Within: Grounded by Jamie OBradovich in Company 3.
Visual effects with DaVinci Resolve Studio or Fusion Studio
Catch the Fair One: Visual effects supervisor Lucien Harriot (Mechanism Digital) employed Fusion Studio in his work dynamics.
Holler: Visual effects supervisor Alex Noble (Wild Union Post) used DaVinci Resolve Studio as part of his work dynamic.
Joe Bell: Visual effects supervisor George Loucas (Baked Studios) used DaVinci Resolve Studio as part of his work dynamic.
The Loneliest Whale: The Search for 52: Visual effects supervisor Alex Noble (Wild Union Post) employed DaVinci Resolve Studio as part of his work dynamic.
Spiral: Executive producer Martín López Funes (Malditomaus) used DaVinci Resolve Studio and Fusion Studio for the film's visual effects, under the supervision of Jon Campfens (Switch VFX).
Werewolves Within: Visual effects supervisor Lucien Harriot (Mechanism Digital) employed Fusion Studio in his work dynamics.
Zola: Visual effects supervisor Alex Noble (Wild Union Post) used DaVinci Resolve Studio as part of his work dynamic.
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